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PL@YB0Y PSYBER KLUB - More Girls - More Features -- Film Directors Erotic Fantasies - Magazine Classics- January 1978
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Film Directors Erotic Fantasies
Magazine Classics
January 1978
Six of the world's great film makers portray their sexual visions for P1ayb0y.
Unfortunately, due to film censorship and other restrictions, many of the world's
foremost directors rarely get the opportunity to express their own erotic fantasies
on celluloid. So we approached some of the master film makers with the notion
of shooting for us what they can't or simply haven't put on film. The directors
involved supervised the shootings much as they would a film, and two-Gordon
Parks and Jerry Schatzberg-did their own photography as well. As you'll see, the
results are all fairly characteristic of each director's particular cinematic style.
01::Federico Fellini (La Dolce Vita, 8½, Casanova): When asked to comment
on his fantasy photos, Fellini quipped, "Why do you need a comment? The picture
speaks for itself." But in conversations with Playboy's film critic Bruce Williamson,
Fellini explained that he simply found amusing the site of two little priests (played
by Alvaro Vitali and Luigi Leone) flying a kite at the shore and discovering a
voluptuous goddess (Renata Schmidt) at the other end of the line. Fellini added
that he wasn't sure what it all meant.::Franco Pinna / Federico Fellini
02::Michelangelo Antonioni ( L'Avventura, Blow-Up): "When I was asked for an erotic
fantasy, strangely, I kept mentally fondling the idea of mountains. I say strangely
because nature is dramatic or pleasant or idyllic, not erotic. But I was thinking for a
landscape in human form, mountains or dunes that might be erotic. I have put much
love and rapture into shaping these images. It is difficult to imagine anything erotic that
is somehow not related to the body of a woman. Yet even in this landscape, there is a
touch of enigma."::Roberto Russo / Michelangelo Antonioni
03::Jerry Schatzberg (The Panic in Needle Park, Scarecrow): "I've worked with women
all of my career—first as a fashion photographer, then as a film maker—and I've always
fantasized that a woman is really more than one individual, that each woman is really
a combination of different women. Fellini expressed this idea in 8 1/2 and I did to a
certain extent in my first film."::Jerry Schatzberg
04::Sam Peckinpah (The Wild Bunch, Straw Dogs</em>): "Ah, the Dragon Lady! I
was a Marine at 17 in Canton, China, walking down a dim, dirty alley, when I passed
a striking, exotic Oriental beauty dressed in Western clothes. Her perfume caressed
me for 50 yards, blotting out the stink of the street. Later, I saw her enter the quarters
of my colonel. Lying on my bunk, I dreamed she slipped into my room, undressed
herself and me. Years later, the aroma is still fresh."::Carroll Seghers II / Sam Peckinpah
05::P1aymate Denise Michele in Sam Peckinpah's fantasy::Carroll Seghers II / Sam Peckinpah
06::P1aymate Denise Michele in Sam Peckinpah's fantasy::Carroll Seghers II / Sam Peckinpah
07::P1aymate Denise Michele in Sam Peckinpah's fantasy::Carroll Seghers II / Sam Peckinpah
08::P1aymate Denise Michele in Sam Peckinpah's fantasy::Carroll Seghers II / Sam Peckinpah
09::P1aymate Denise Michele in Sam Peckinpah's fantasy::Carroll Seghers II / Sam Peckinpah
10::Gordon Parks (The Learning Tree, Shaft): "I was only ten then, but I remember
the cyclone twisting violently over the Kansas plains. Big Mabel had found me in the fields,
hurt and terrified. She carried me back to the safety of my father's slaughterhouse, calmed
me, undressed me and tended my wounds. This photo is a fantasy of that remembrance."::Gordon Parks
11::Richard Brooks (In Cold Blood, Looking for Mr. Goodbar): "Sex during a crisis heightens i
ntellectual and tactile sexuality rarely experienced under normal conditions. The urgency of the
situation motivates the need for immediate intimacy. The chemistry, without words, must say,
'Now!' My fantasy girl, in this situation, is always partially clothed. Her eyes are taunting—an air
of mystery—we care not for names or personal history. Her desire stems from a necessity for
selfish pleasure. This fantasy of mine arose while I was working on the script for Key Largo</em>,
when a hurricane struck the Florida Keys."::Richard Fegley / Richard Brooks
12::Richard Brooks's fantasy::Richard Fegley / Richard Brooks
Sample Photos: (re-sized for quick upload to image host AND to avoid detection; much larger really)
Size: 6 MB
Photos: 12 PICS (1024 pix long axis)
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